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Default 12th October 2006

Introduction to the Sufi Path
by Peter Lamborn Wilson
Of all the strands of thought, tradition, and belief that make up the Islamic universe, Sufism in its doctrinal aspect stands out as the most intact, the most purely Islamic: the central strand. Opponents of Sufism often charge it with having originated outside Islam, but a close study of the various schools of philosophy and theology, and a comparison with "primordial" Islam as revealed in the Koran and hadith (authentic sayings of the Prophet Muhammad), will vindicate the Sufis' claim of centrality, of strict adherence to the original purity of the Revelation.

In the context of the history of thought, in fact, Sufism - always insisting on a return to the sources of the Tradition - can be seen to have functioned at times as a positive and healthy reaction to the overly rational activity of the philosophers and theologians. For the Sufis, the road to spiritual knowledge - to Certainty - could never be confined to the process of rational or purely intellectual activity, without sapiential knowledge (zawq, "taste") and the direct, immediate experience of the Heart. Truth, they believed, can be sought and found only with one's entire being; nor were they satisfied merely to know this Truth. They insisted on a total identification with it: a "passing away" of the knower in the Known, of subject in the Object of knowledge. Thus, when the fourth/tenth century Sufi Hallaj proclaimed "I am the Truth" (and was martyred for it by the exoteric authorities), he was not violating the "First Pillar" of Islam, the belief in Unity (tawhid), but simply stating the truth from the mouth of the Truth. So the Sufis believe.

This insistence of total involvement in "mystical" realisation, and on a participative understanding of religious doctrine, sharply distinguished Sufism from other Islamic schools of thought. In fact, considering themselves the true core of Islam, Sufis appeared as outsiders not only to the philosophers and theologians, but even to "ordinary" Muslims. Their peculiarity, their distinctness, manifested itself in every aspect of their lives: their daily activities, their worship, social relations, and even style or means of expression. Like mystics in all Traditions, they tended to remake language and form for their own purposes, and as in all Traditional civilisations, the potency and directness of their expression tended to flow out and permeate other areas not directly related to mysticism in the narrow sense: literature, the arts and crafts, etc.

Leaving This World Behind
Buddha founded his Path on the human fact of suffering. Islam gives the basic situation in which we find ourselves a slightly different interpretation: man in his ordinary state of consciousness is literally asleep ("and when he dies he wakes," as Mohammad said). He lives in a dream, whether of enjoyment or suffering - a phenomenal, illusory existence. Only his lower self is awake, his "carnal soul." Whether he feels so or not, he is miserable. But potentially the situation can be changed, for ultimately man is not identical with his lower self. (The Prince of Balkh, Ibrahim Adham, lost in the desert while hunting, chased a magic stag, which turned on him and asked, "Were you born for this?") Man's authentic existence is in the Divine; he has a higher Self, which is true; he can attain felicity, even before death ("Die before you die," said the Prophet). The call comes: to flight, migration, a journey beyond the limitations of world and self.

Awakening
Imprisoned in the cage of the world (the world in its negative, "worldly" sense, not in the positive sense of the world-as-icon or Divine Manifestation), man is exiled and forgetful of his true home. To keep his part of the Covenant, to be faithful to his promise, he must set out on the Path from sleep to awakening. It is only the blessed few for whom this Path lasts no longer than a single step, although in theory all that is needed is to "turn around" or "inside out" and be what one is. For most seekers the Path is long; one Sufi speaks of "a thousand and one" different stages.

"Everything perishes save His Face"; the first step on the Path is to begin to contemplate the futility of the world of dust, the world in which one's lower self is doomed. The seeker must renounce it all, including his own self, and seek that which is Everlasting. He must travel from things to Nothing, from existence to Nonexistence.

How does one get lost on purpose? Our present state is one of forgetfulness toward the Divine - the true Self - and remembrance of worldly affairs and the lower self. The cure for this is a reversal: remembrance of the true Self, the Divine within, and forgetfulness toward everything else.

In Sufism the basic technique for this is invocation or "remembrance" (zekr) of the Divine Name, which is mysteriously identical with the Divine Being. Through this discipline the fragments of our directionless minds are regathered, our outward impulse turned inward and concentrated. This is the act of a lover who thinks of nothing but his beloved.
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Default 12th October 2006

Rabi'a

— by Dr. Maria Jaoudi


She gives us a modern ecological theology because of her internal attitude to the creation nourished through her daily encounters with Allah of the near, Allah of unknowability:

She saw the evidences of God wherever she looked: she never ceased from seeing them all around her. She used to say, in her seclusion: “My Master, through you the ones who loved you came to be near you. For your glory, the mighty whales have praised you in the vast ocean: for your sanctity and holiness the waves have crashed. For you, the darkness of the night and wheeling stars, the swelling sea, the shining moon, the bright planets: everything you have made in proportion, for you are God the Almighty.

if you like to read more about it http://www.gratefulness.org/readings/mj_rabia.htm


One of the most famous Islamic mystics was a woman: Rabi'a al-'Adawiyya (c.717-801). This 8th century saint was an early Sufi who had a profound influence on later Sufis, who in turn deeply influenced the European mystical love and troubadour traditions. Rabi'a was a woman of Basra, a seaport in southern Iraq. She was born around 717 and died in 801 (185-186). Her biographer, the great medieval poet Attar, tells us that she was "on fire with love and longing" and that men accepted her "as a second spotless Mary" (186). She was, he continues, “an unquestioned authority to her contemporaries" (218).

http://www.mythinglinks.org/NearEast...lam~Rabia.html
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Default 14th October 2006

There's even an association:

http://www.ias.org/

Cheers
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Default 14th October 2006

Enjoy

<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/vnunfciSr7k"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/vnunfciSr7k" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object>
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Default 14th October 2006

Thank you Dry Ice,

i believe thats in Turkey and the same school started by Rumi. Can you confirm that? Also, what does the dance symbolize?

Thanks
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Default 14th October 2006

Quote:
Originally Posted by Bodhisattva View Post
Thank you Dry Ice,

i believe thats in Turkey and the same school started by Rumi. Can you confirm that? Also, what does the dance symbolize?

Thanks
From what I gathered:

The Whirling Dervishes trace their origin to the 13th century Ottoman Empire. The Dervishes, also known as the Mevlevi Order, are Sufis, a spiritual offshoot of Islam. In 1972, Jelaluddin Loras, Sheikh of the Mevlevi Order of America, brought the religion from Turkey to the United States. On December 17, Whirling Dervishes across the world celebrate the birth of Jelaluddin Mevlana Rumi, a mystic poet, who founded the Mevlevi Order.

http://www.dankphotos.com/whirling/
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Default 14th October 2006

Elephant in the Dark

Some Hindus have an elephant to show.
No one here hsa ever seen an elephant.
They bring it at night to a dark room.

One by one, we go in the dark and come out
saying how we experience this animal.

One of us happens to touch the trunk.
"A water-pipe kind of creature."

Another, the ear. "A very strong, always moving
back and forth, fan-animal."

Another, the leg. "I find it still,
like a column on a temple."

Another touches the curved back.
"A leathery throne."

Another, the cleverest, feels the tusk.
"A rounded sword made of porcelain."
He's proud of his description.

Each of us touches one place
and understands the whole in that way.

The palm and the fingers feeling in the dark are
how the senses explore the reality of the elephant.

If each of us held a candle there,
and if we went in together,
we could see it.
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Default 14th October 2006

Quote:
Originally Posted by Dry Ice View Post
If each of us held a candle there,
and if we
went in together,
we could see it.
Beautiful,

.. simply beautiful
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Default 15th October 2006

A Just-Finishing Candle

A candle is made to become entirely flame.
In that annihilating moment
it has no shadow.

It is nothing but a tongue of light
describing a refuge.

Look at this
just-finishing candle stub
as someone who is finally safe
from virtue and vice,

the pride and shame
we claim from those.
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Default Fear, Assumption and Lack of Dialogue - 17th October 2006

One day Nasrudin was walking along a deserted road. Night was
falling as he spied a troop of horsemen coming toward him. His
imagination began to work, and he feared that they might rob him,
or impress him into the army. So strong did this fear become that
he leaped over a wall and found himself in a graveyard. The other
travelers, innocent of any such motive as had been assumed by
Nasrudin, became curious and pursued him. When they came upon him lying motionless, one said, "Can we help
you? And, why are you here in this position?"
Nasrudin, realizing his mistake said, "It is more complicated
than you assume. You see, I am here because of you; and you, you
are here because of me."
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